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Artist: Mel Chin
Artwork Title: 'Combo Club’
Year: 1993
Medium: Printmaking
Materials: Two colors with a shaped copper plate embossed in heavy Indian handmade paper,
printed by Etching Studio, Houston, TX (edition of 50)
Dimensions: 23” x 30.5”
Artist Bio:
Mel Chin’s (b. 1951, Houston, TX) art employs a wide range of approaches from unique, idiosyncratic objects to operations that require multi-disciplinary collaboration. He insists that projects in the public field are dosed with a rigorous pragmatism and an elevated poetic. Chin’s studio work is notably without a signature style, resulting in works suffused with a deeply considered restraint or excess to promote an unpredictable aesthetic. His Revival Field (1990) pioneered in the field of "green remediation," the use of plants to remove toxic, heavy metals from the soil. From 1995-1998, he formed the GALA Committee, a collective that produced ‘In the Name of the Place, ’ a public art project conducted on American prime-time television. ‘9-11/9-11,’ (2007) won the Pedro Sienna Award for Animation in Chile. His nationwide initiative, Fundred, gave tangible form and political value to the voices of 500,000 individuals opposed to the conditions that give rise to childhood lead-poisoning. He founded S.O.U.R.C.E. Studio (2017) to both enlarge the dialogue and realize sustained engagements with community and environment.
‘His ReMatch’ (New Orleans, 2014) retrospective curator, Miranda Lash, described his practice as a mutative strategy, depending on concepts to derive the materials of its realization, from actions, to films, to objects, as necessary. In 2018, he presented ‘Unmoored and Wake’ in Times Square, New York City, creating a visual portal into a future of rising waters. Concurrently, he presented a 40-year-survey exhibition at the Queens Museum, NYC, that Hyperallergic named the best art exhibition of 2018. He is the recipient of many awards, grants, and honorary degrees, including the MacArthur Fellowship, 2019, election to the American Academy of Arts and Letters, 2021, and the Hiroshima Art Prize, 2024.
Artist: Mel Chin
Artwork Title: 'Combo Club’
Year: 1993
Medium: Printmaking
Materials: Two colors with a shaped copper plate embossed in heavy Indian handmade paper,
printed by Etching Studio, Houston, TX (edition of 50)
Dimensions: 23” x 30.5”
Artist Bio:
Mel Chin’s (b. 1951, Houston, TX) art employs a wide range of approaches from unique, idiosyncratic objects to operations that require multi-disciplinary collaboration. He insists that projects in the public field are dosed with a rigorous pragmatism and an elevated poetic. Chin’s studio work is notably without a signature style, resulting in works suffused with a deeply considered restraint or excess to promote an unpredictable aesthetic. His Revival Field (1990) pioneered in the field of "green remediation," the use of plants to remove toxic, heavy metals from the soil. From 1995-1998, he formed the GALA Committee, a collective that produced ‘In the Name of the Place, ’ a public art project conducted on American prime-time television. ‘9-11/9-11,’ (2007) won the Pedro Sienna Award for Animation in Chile. His nationwide initiative, Fundred, gave tangible form and political value to the voices of 500,000 individuals opposed to the conditions that give rise to childhood lead-poisoning. He founded S.O.U.R.C.E. Studio (2017) to both enlarge the dialogue and realize sustained engagements with community and environment.
‘His ReMatch’ (New Orleans, 2014) retrospective curator, Miranda Lash, described his practice as a mutative strategy, depending on concepts to derive the materials of its realization, from actions, to films, to objects, as necessary. In 2018, he presented ‘Unmoored and Wake’ in Times Square, New York City, creating a visual portal into a future of rising waters. Concurrently, he presented a 40-year-survey exhibition at the Queens Museum, NYC, that Hyperallergic named the best art exhibition of 2018. He is the recipient of many awards, grants, and honorary degrees, including the MacArthur Fellowship, 2019, election to the American Academy of Arts and Letters, 2021, and the Hiroshima Art Prize, 2024.